Kyushu Part 3 – Gardens, shopping malls and REALLY bad clubs
For our final day in Nagasaki we made a point of visiting the Glover Garden, a kind of garden-cum-museum in honour of one William Glover, a major figure in contemporary Japanese history and Scotsman that I'd never heard of. Turns out he opened the first lager brewery in Japan (now Kirin) and imported the first steam locomotive, while his son revolutionized the fishing industry by making use of modern trawlers and catching techniques for the first time. Not bad going, considering beer, trains and fish are still major cornerstones of Japanese industry.
Before seeking out lunch in Nagasaki's Chinatown after this, however, we both made the rather unpleasant discovery that the limited bank ATM system in Japan is in fact so limited that it's impossible to take out any money in Japan AT ALL while Golden Week is in progress – while not a complete disaster, seeing as we'd both brought quite a lot of cash along, it did mean us having to be a little restrained with our spending once we got to Fukuoka the following day.
Which is a shame really, because if there's one thing you can do an awful lot of in Fukuoka it's shop. My abiding memory of the place was of a sprawling urban jungle, populated with large numbers of impossibly attractive young couples, making their way from one ludicrously oversized shopping centre to the next. That probably makes it sound a bit worse than it actually was though, it is a nice place, the central bit we were in being much like the commercial districts of Osaka, only cleaner and much less confusing.
As luck would have it, we also happened to hit Fukuoka in the midst of a large annual festival, during which huge numbers hit the streets to watch processions, mini taiko concerts, eat at temporary riverside noodle bars and partake in all the other activities one usually associates with a matsuri. The big carnival procession was a somewhat bewildering highlight, featuring as it did massed ranks of marchers dragging floats, waving flags, dancing and generally larking about, though the jarring juxtapositions of traditional Japanese music, brass bands and pre teens high-kicking to blaring rave music while kitted out in somewhat risque clothing was a bit much for the senses.
The malls on offer in Fukuoka really are stupid though, putting anything I've seen in UK to shame. Thurrock Lakeside is a minnow compared to the cavernous, labyrinthine chaos of Canal City, or the insane IMS tower with its enormous open-plan car showroom on the seventh floor. It would seem that this is where Japanese commercial architects come to let their imaginations run riot, designing these bloated monuments to capitalism. And can you easily find a record store in any of them? Can you hell...
With Nagasaki's nightlife having turned out to be considerably quieter than either of us had expected, we were hoping to be able to make up for that in Fukuoka – after all, it's a bustling, modern, young, rich city and allegedly home to the most attractive young ladies in Japan, the famous hakata bijin – what was there not (for me) to like? As it turned out, after a nomihodai (all you can drink) session completed in just under an hour and a considerable amount of time spent wandering around lost while asking various young passers-by about any good places to go, we somehow managed to end up in one those multi-storey buildings so beloved of Japanese entertainment districts with different bars and clubs on different floors. The first one we tried was a lifeless hip hop club, with a hidden DJ spinning the very latest in lazy, boring, unimaginative gangster stuff to a handful of extremely unimpressed punters. Seeking our chances elsewhere, we tried a reggae club one floor down where a DJ (visible at least) was spinning the very latest in lazy, boring, unimaginative dancehall/reggeton stuffto a handful of extremely unimpressed punters. Having paid a fiver to get into both, we were at least able to wander freely between them with the 'back of the hand stamp' system they were operating.
The reggae place got even worse once the DJ actually stopped playing proper records and instead fired up a series of crap instrumental breaks over which a group of suit-wearing salarymen started toasting in a singularly inept way. It was funny for about five minutes, before this impromptu karaoke session became unwatchably bad. Still, you can't win 'em all, eh? We both did manage to get well and truly battered however, which was at least something.
Possibly the bit of Fukuoka I enjoyed the most, however, was unexpectedly the museum of contemporary Asian art we went to the following day – there was loads of good stuff here, from Vietnamese takes on the style of Rembrandt, to none-more-postmodern satirical collages from India and video art from Pakistan. I never think to go to art museums that often, but maybe I should.
So, with that done there was nothing left but to get the nightbus home – an experience I found very odd just prior to lights out when we made the final stop for the rest of the journey. All motorway rest stations throughout the world feel as though they exist in some kind of weird limbo, but it's even more the case in Japan, where you're surrounded on all sides by elevated freeways and the indistinct glittering lights of a thousand factories and power plants pressing in on you.
Kyushu then, it's, y'know...nice. We were only there for a week and only went to perhaps the top three tourist destinations, so most likely saw just a fraction of what the place had to offer. On the whole, Kyushu definitely feels far more 'Japanese' than either Hokkaido or Okinawa, but then that's to be expected I suppose. Either way, my aim of setting foot on all five of Japan's major landmass areas draws one stage closer, only Shikoku to do now and I'll have me a set...
Anyone wishing to see more Kyushu pix can do so here.